Thursday 19 December 2013

A Cubist Footballer?

Just as my Father always ensured I did upon meeting someone, Dave Merrell looked me in the eye and gripped my hand firmly, exuding an unassuming but self-assured confidence.

Born and bred in Flixton, Manchester he reminded me of a PE teacher I once had at school, a brilliant footballer whose unreliable knee put paid to his professional career.

Given the size of Dave’s large frame I may have concluded his sport was rugby, but a quick scan of his studio reminded me how dangerous it can be to assume anything. Portrayed in an inimitable style, epic images of Gerrard, Pele, Zidane, Aguero, van Persie and Balotelli occupied the white spaces of the walls. While some were framed, others were simply taped to the wall at the corners as if they’d just that minute been finished. A couple of them he had to unfurl like a medieval scroll from their tube storage.

No need to ask if he’s a football fan, then, I thought.

Despite reasoning that football is just a game, I grew self-conscious as I asked the inevitable question of which team held Dave’s support. As a fan, living in a city like Manchester is impossible without pledging a red or blue allegiance – approximately 35 miles down the River Mersey, Anfield and Everton literally split the city of Liverpool in two – and for a brief moment it felt as if I was standing in front of the Pope questioning his faith in Christianity. A broad smile fixed Dave’s face and I almost expected him to draw a cross on his chest and look up to the sky as if I had betrayed his love for City just by asking the question.

Unprompted but without a trace of cockiness, Dave followed up by saying, “things are good at the moment [at City]. It’s not a case of if we will score, but when.”

In the summer of 2013, Dave’s Pele and Zidane received plentiful acclaim at the Fantasista Exhibition of football art in London where his Pele also featured on the front cover of the program. Inside, the introductory notes next to his name read, “the sensitivity with which his football heroes are rendered reflects his affection for them: The skill of the footballer is manifest in the skill of the artists’ hand.”

This might be a good time to admit that I was cast aside like a spent palette when the good Lord was handing out artistic talent and, for this reason, I was even more awestruck upon being shown Dave’s art by a colleague.

Despite my lack of talent for drawing, I knew enough to realise that Dave’s style reminded me of Cubism, an influential art movement of the twentieth century pioneered by artists such as Pablo Picasso and Paul Cezanne. In Cubism, objects are analysed, broken up and reassembled in an abstracted form, much like the process Dave uses. As I threw my observation in Dave’s direction, I could tell the notion wasn’t that alien and he was quick to agree a similarity in style, adding that one of his favourite paintings is the Modernist classic, Marcel Duchamp’s Nude Descending a Staircase.

The longer Dave and I talked about his art, the more I felt I should be calling him by a more majestic name, one that adequately reflected his artistry. But Dave seemed more than fitting for his unpretentious nature, which he modestly substantiated by admitting that his style was conceptualised whilst sketching in front of the TV. His subject, you ask? A Stormtrooper’s body armour.

From Stormtroopers and caricatures of TV characters to footballers and various other works, I got the impression that Dave is in a good place and more than happy with the direction of his art. His love of football came through not just at the mere mention of Manchester City, but through the pride he has in his work and the enjoyment he clearly gets from portraying his subjects.  

Exchanging pleasantries with Dave as I was leaving, I thought back to the Cubists and felt a strange combination of sadness and curiosity. While the likes of Duchamp and Picasso will never realise their works’ impact and influence on the artists of today, I wondered how they would have drawn the world’s best footballers if they were still alive.

Dave’s work can be viewed at www.davemerrell.com

Friday 19 July 2013

Scars

Scars leave an indelible mark on us all
As stark as graffiti on a white painted wall

Some are superficial and some run deep
The pain that they carry we hold on to and keep

But in spite of our scars, however received
Look how far we’ve come and all we’ve achieved

For their permanence does not make us weak
They mould who we are and make us unique

In distinguishing marks, there should be no shame
The blemished skin of a fruit still tastes the same

Embrace the imperfections that give you a cause
The most beautiful of diamonds started with flaws

Saturday 8 June 2013

A Chance Encounter

There’s someone out there that you are yet chance
But somewhere in the world you will have your dance
No matter that this person is from a different place
By meeting you will fulfil God’s will and grace

Wonder of me
Wonder of you
Wonder of us
Wonder we do

Often taken for granted and seldom recognised
A phenomenon of life, but often trivialised
Born and brought up apart in very different realms
That you meet at all is amazing and often overwhelms

Wonder of me
Wonder of you
Wonder of us
Wonder we do
                                         
You can never help but question why it is we meet
But soon as we may find a clue the reason’s obsolete
Culture, custom and ritual make us so distinct
But maybe parallel lives are already interlinked

Wonder of me
Wonder of you
Wonder of us
Wonder we do

There’s somebody out there that you are yet to know
It’s the miracle of travel and the reason you must go
Hard to accept that a world so huge can also be so small
It can be daunting and unnerving but I’ll see you in Nepal!

Sunday 5 May 2013

I'm

I’m pushing a mute piano up the stairs
Why, I don’t know, but nobody cares

I’m numb to its weight crushing my being
Trapped and alone with no option of fleeing

I’m lost in a field without a hope
My hands slipping from the guiding rope

I’m deep in the battle completely unarmed
With life as my enemy not easily charmed

I’m trying to sing but I’m way out of key
My heart useless and spent like an amputee

I’m screaming for help but nobody hears
Choosing to be blind when it comes to my tears

I’m a body of matter that’s lost its soul
A shell discarded by life with a gaping hole

I’m hearing louder the noise in my head
It makes more sense now my soul is dead

I’m alone in the fight and learn the sooner I see
That nobody but me is going to help me

Saturday 4 May 2013

A Technology Too Far?

The modern game of football is no place for purists. Days when boot rooms emitted the glorious, pungent aroma of Kiwi shoe polish, and apprentices earned their minimum wage meticulously brushing first teamer’s boots to a high shine ready for match day, the dense black paste tarnishing their white logos with a grey hue, are long gone.

Today, though, in an age where football boots incorporate as much technology as the International Space Station, and are more likely to have been conceived by a scientist in a white lab coat than a master shoe-maker, has boot technology topped out? Have we reached the point where brands are simply recycling technical concepts under the guise of ever more fantastically-sounding, futuristic names and acronyms?

Back in 2008, Nike released the Mercurial Vapor Superfly, which, in hindsight, is regarded as one of those Concorde moments – a great technological feat and massive leap forward that will probably never be surpassed. Despite the unique but short-lived use of a carbon soleplate and a whole host of other assets that made them feather-light, the Superfly featured pressure-activated Adaptive Traction Technology. Sounds great, doesn’t it? And it was. Two revolutionary studs placed at the forefoot extended like a piston by a couple of millimetres when pressure was applied by the foot, giving the wearer more grip in soft ground. Such is the marvellous innovative spirit at Nike, the idea was inspired by a cheetah’s paw, the claw of which extends under pressure to provide extra traction.

So, surely there can’t be many more improvements and advancements that can be applied to a boot, given that the Superfly seemed to break all undiscovered ground on its way to the zenith four years ago.

But even more so, it begs the question, is anything more effective than nature? After all, it could be argued that a shoe of any kind is simply a cover to protect an already-ingenious and technically-advanced body part, without the need for added technological intervention. Even running shoes have recently succumbed to the benefits of barefoot running and reverted to shoes with basic cushioning after realising that ligaments and tendons have become lazy and therefore weak in traditional running shoes.

So how much of it is hyperbole, a desperate marketing ploy by brands who already ply their trade in the heavyweight division to sell more products? With all the self-belief of Buddhist Monks, marketing experts are always quick to persuade you that such technology will make you play like Lionel Messi, despite the fact that you never made a decent enough impression on the science teacher-manager of your year 8 school football team.

The fact is, the game has evolved to the point where science has allowed for training methods, diets and equipment to make players what they couldn’t be even twenty years ago. These days, brands carry out exhaustive research, employing a whole host of mechanical, biomechanical and engineering specialists, in addition to material engineering and process experts in covering all bases to provide us with the most advanced boots possible. But there is a danger of over-engineering something that arguably reached a pinnacle several years ago. Does a Dyson vacuum cleaner – which has been engineered to within an inch of its life – really need to do anything other than suck?

There is no doubt that football boots today, supercharged with lighter and more advanced materials, help your game, improve your touch and aid in making you faster. It stands to reason. But they can also be viewed as a placebo that simply have you believe you’ll perform better.

“Doctor, doctor, I’ve been feeling a little slow lately.”

“Well here’s some F50’s. That ought to do it.”

Whatever revelatory innovation adorns the next Vapor or F50 in the ultra-competitive world of football boot manufacturing, I’ll always live by the ‘look good, feel good, play good’ philosophy. Either way, however outlandish the technological claims, there’s some pretty sharp-looking boots on the market that would enhance the performance of, or even convert, the most committed purist.


Friday 3 May 2013

Velcro Shoes

Notice that as children we need not say a thing
And be the best of friends over a Haribo ring
But as soon as we’re adults we don’t get along
We can say what we want and still get it wrong

As children we are encouraged to follow a dream
No matter how outlandish or even extreme
But when we get older and still want to strive
People think it ridiculous to even want to try

We start out in this world wearing Velcro shoes
And go out when we’re old wearing Velcro shoes
Does it really matter how we act in between?
That we learn to tie laces and dare to dream?

As kids we are berated for the smallest of lies
But the nose of an adult is bigger in size
That’s right Pinocchio’s lesson is with us from youth
But forgotten as soon as one’s long in the tooth

They always say ‘do as we say, not as we do’
And repeat it like a mantra for kids to construe
As soon as they say it, it has a familiar ring
For an adult is the most hypocritical thing

We start out in this world wearing Velcro shoes
And go out when we’re old wearing Velcro shoes
You learned to tie laces but the joy passed you by
Once the child in you left in the blink of an eye

Kids view the world with very few flaws
But don’t as an adult taint it with yours
Or play Ghandi when the extent of your plan
Is to accept what we can’t and change what we can

While an adult insists that they were once young
To a kid you just speak with forked tongue
There’s no point convincing when all is told
In more reasons than one an adult will always be old

We start out in this world wearing Velcro shoes
And go out when we’re old wearing Velcro shoes
But while you might be an adult with a cynical mind
Lose the glint in your eye and you’ll end up blind

Saturday 20 October 2012

The Landscape

The landscape through my youthful eyes
Was a reachable utopia in clever disguise
The world is your oyster goes the old cliché
Put in the work and you’ll have your day

Life should be a scintillating soiree
A perpetual party every night and day
But is instead a source of pleasure and pain
An enduring fight to get in from the rain

I was supposed to be someone else
With somewhere more important to be
But I bought in to all those lies
That said I can be all I want to be

Memories crowded, ambitions blurred
If there is a simple answer I never heard
I wish not to feel disillusioned and jaded
And the glint in my eye dull and faded

The landscape through my older eyes
Is draped with more realistic skies
Higher expectations leave bigger scars
Aim at the moon but be content with stars